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After Everything
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After Everything

Description
When Elliot (Jeremy Allen White), a brash 23-year-old living carefree in New York City, meets the sensible Mia (Maika Monroe) and receives a damning diagnosis all in the same week, his world is turned completely upside down. But as their love blossoms amidst the chaos of his treatment, they discover that Elliot's illness is not the real test of their relationship - it's everything else.
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HEROES OF "After Everything"
After Everything
CRITICS OF "After Everything"
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RogerEbert.com
Resource

July 12, 2018

"Shotgun" lives and dies on the chemistry of its leads and White and Monroe simply work as a couple.
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Cinemalogue
Resource

October 19, 2018

The gimmicky structure and overreliance on cutesy quirks suppress the emotional impact.
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The Playlist
Resource

October 10, 2018

After Everything presents an on-screen relationship that's supposed to be charmingly dysfunctional, but by all indications is wildly imbalanced at best and toxic at worst.
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Common Sense Media
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October 12, 2018

Realistic, touching romance has sex, substances, swearing.
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Next Projection
Resource

October 16, 2018

Despite its many charms, Shotgun never fully feels like something to care about. It is enjoyable, but only passably.
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Variety
Resource

July 12, 2018

Monroe's grounded presence keeps the film's feet on the ground, while White allows his character to spin into orbit when self-pity commands it.
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New York Post
Resource

October 11, 2018

A promising, if flawed, start for this directing duo.
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Film Journal International
Resource

October 11, 2018

A fresh twist on an oft-told tale makes for a strong filmmaking debut.
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New York Times
Resource

October 11, 2018

White and Monroe demonstrate natural chemistry, and they discretely suggest the private experiences of their characters, the youthful doubts that can't be extinguished by passion.
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Film Threat
Resource

October 10, 2018

After Everything shows us that there's always a future at the end of the journey.
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Hollywood Reporter
Resource

October 09, 2018

Featuring terrific performances by its young leads, the film marks an auspicious feature debut for its writers/directors.
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RogerEbert.com
Resource

October 12, 2018

As long as the focus is on [Monroe] and [White], the film is involving and moving.
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