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The Hand That Rocks The Cradle
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The Hand That Rocks The Cradle

Description
The dreadful of this movie begins with the suicide of Dr. Victor Mott, who is accused in sexual harassment by some of his patients, Mott's wife is pregnant but after hearing these news, she loses her child and she decides to avenge from the people, who are the reason in these terrible events, so she changes her name and works as a nanny for Claire to revenge from her.
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The Hand That Rocks The Cradle
CRITICS OF "The Hand That Rocks The Cradle"
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Chicago Tribune
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July 10, 2013

Unpretentious and efficient.
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South Florida Sun-Sentinel
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July 10, 2013

The Hand That Rocks the Cradle is that rare thing, a realistic thriller wise enough not to sell short any of its characters. Just be prepared to become very, very scared when you see it.
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Baltimore Sun
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July 10, 2013

Things go about the way you expect them to, but Curtis Hanson, who directed, manages to make it work.
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Philadelphia Daily News
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July 10, 2013

All of the best parts here go to women -- Sciorra, De Mornay and Julianne Moore in a funny supporting bit as Claire's cynical, suspicious friend.
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Radio Times
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July 10, 2013

This is pure unbridled hokum, of course, but extremely effective until the last 30 minutes, when the plot rapidly self-destructs.
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Los Angeles Times
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July 10, 2013

At its best, The Hand That Rocks the Cradle is a bright, nasty psychological thriller with a joker up its sleeve.
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Philadelphia Inquirer
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July 10, 2013

The film is unusually gripping.
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People Magazine
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July 10, 2013

The Hand that Rocks the Cradle, though it positions itself as chilling suspense, is not even mildly scary; it's just offensive.
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Orlando Sentinel
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July 10, 2013

The careful structure of THTRTC guarantees that the movie will generate a fair amount of suspense throughout. But the single-mindedness of the movie is a genuine limitation, and, watching it, you begin to feel spoon-fed.
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Christian Science Monitor
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July 10, 2013

Exploitation of child abuse and baby-stealing make this one a particularly nasty business.
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New Yorker

July 10, 2013

With its banal, docile household threatened by an enemy within, the film is like The Stepfather without wit or irony.
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Seattle Times
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July 10, 2013

This is De Mornay's film and she's a wicked treat, looking daggers at her enemy one moment and then glazing over with sweetness the next.
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